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completely open invitation to take part. All

that is promised (this year to the eighty

boys who volunteered both on and back-

stage) is a role to call their own, but from

often initially tentative enquiries have many

wonderful discoveries again been made.

For example,

Doron Akinyanju

and

DJ

Banda

joined

EdwardWhitbread

in setting

wannabe backing-dancers a new acrobatic

benchmark. Meanwhile

Joel Balogun, Harry

Nichol

and

Freddie Newland

seized their

first chance to get miked and put long-

practised bedroom-mirror routines into

action, all demonstrating how confidence,

energy, and vocal power can combine into

instantly show-stopping numbers. They

were accompanied by the more familiar

faces amongst the group soloists, who were

variously ‘Gonna learn how to fly’ to

Fame

,

determined to ‘Just stick out my chin and

grin’ till a better

Tomorrow

, or beginning to

realise that

I Belong to the Stars

, amongst

so many clearly here in the ascendant,

but all in agreement that ‘If we’re heart to

heart, we can build this dream together’ and

Nothing’s Gonna Stop Us

- none of which

could have been imagined, discovered or

realised, without the organisation, patience,

cameraderie and sacrifice of free time

demanded by their preparations.

For all the new thrill of joining the aspiring

fray (no longer ‘creeping

like snail’) what of

those who reflect

and (whether or not

‘sighing like furnace’)

want to ‘draw back the

curtain to see for certain what I thought I

knew’? Enter our soloists, challenged with

owning the empty stage, sharing the power

of their own feeling via another’s lyrics, and

inviting us to experience and believe in their

sentiment. Performances ranging from

Sam

Barrington’s

ethereal, saintly, and musically

immaculate

Any DreamWill Do

, via

Cenk

Oguz’s

explosive broadside (soon Broadway?)

of sound, movement, tap and effulgence of

(Expressing Your) Self

, to

Marcus Ovey’s

confidently controlled

and thus all

the more

sharply biting

insistence that

I Want to Break

Free

, reminded

all that being

given, or

wresting

for

“Enterour soloists,

challengedwith

owningtheempty

stage,sharingthe

powerof their

ownfeelingvia

another’s lyrics”

S u m m e r F i e l d s

2 0 1 5 – 2 0 1 6

44